Early life

Born in the Bedford-Stuyvesant section of Brooklyn, New York City, New York, Biggie was the only child to Voletta Wallace, a pre-school teacher of Jamaican origin, and George Letore, a welder and small-time Jamaican politician. His father left the family when Biggie was two years old, leaving his mother to work two jobs while raising him. At the Queen of All Saints Middle School, Biggie excelled in class, winning several awards as an English student. He was nicknamed "Big" because of his size before he turned ten years old. From the age of twelve, he sold drugs, unbeknownst to his mother.

Biggie transferred out of the private Roman Catholic school that he attended, at his request, to attend the state-funded George Westinghouse Information Technology High School, where Jay-Z and Busta Rhymes were also students. According to his mother, he was still a good student, but developed a "smart-ass" attitude. At seventeen, Biggie dropped out of high school and became further involved in crime. In 1989, he was arrested on weapons charges in Brooklyn and sentenced to five years' probation. In 1990, he was arrested on a violation of his probation.A year later, Biggie was arrested in North Carolina for dealing crack cocaine. He spent nine months in remand prison until he made bail.

Rapping career

Biggie started rapping from a young age, performing with local groups, the Old Gold Brothers and the Techniques.After being released from imprisonment, he made a demo tape under the name Biggie Smalls, a reference to his childhood nickname and to his stature; he stood at 6'3" (1.90 m) and weighed between 300 and 380 pounds (between 136 and 172 kg) by differing accounts. The tape was reportedly made with no serious intent on getting a recording deal, but was promoted by New York-based DJ Mister Cee, who had previously worked with Big Daddy Kane, and was heard by the editor of The Source magazine.

In March 1992, Biggie featured in The Source's Unsigned Hype column, dedicated to aspiring rappers and was invited to produce a recording with other unsigned artists, in a move that was reportedly uncommon at the time. The demo tape was heard by Uptown Records A&R and record producer, Sean "Puffy" Combs, who arranged for a meeting with Biggie. He was signed to Uptown immediately and made an appearance on label mates, Heavy D & the Boyz' "A Buncha Niggas" (from Blue Funk).

Soon after signing his recording contract, Combs was fired from Uptown and started a new label. Biggie followed and in mid-1992, signed to Combs' new imprint label, Bad Boy Records. On August 10, 1992, Biggie's long-term partner gave birth to his first child, T-yanna. Biggie continued selling drugs after the birth to support his daughter financially. Once this was discovered by Combs, he was made to quit.

Biggie gained exposure later in the year on a remix to Mary J. Blige's single "Real Love", under the pseudonym The Notorious B.I.G.; the name he would record under for the remainder of his career after finding his original moniker was in use."Real Love" peaked at #7 on the Billboard Hot 100 chart and was followed by a remix of Blige's "What's the 411".

He continued this success, to a lesser extent, on remixes with Neneh Cherry ("Buddy X") and reggae artist Super Cat ("Dolly My Baby", also featuring Combs) in 1993. In April 1993, his solo track, "Party and Bullshit", appeared on the Who's the Man? soundtrack. In July 1994, he appeared alongside LL Cool J and Busta Rhymes on a remix to label mate Craig Mack's "Flava in Ya Ear", reaching #9 on the Hot 100. In the same year, Biggie collaborated on "Runnin'" and other songs with rapper Tupac Shakur, a New Yorker who he met in Los Angeles, California.

Ready to Die

 Biggie married R&B singer Faith Evans ten days after they met at a Bad Boy photoshoot.^[17][15] Four days later, Biggie had his first pop chart success as a solo artist with double A-side, "Juicy/Unbelievable", which reached #27 as the lead single to his debut album.

Ready to Die was released on September 14, 1994, and reached #13 on the Billboard 200 chart, eventually being certified four times Platinum. The album, released at a time when West Coast hip hop was prominent in the U.S. charts, according to Rolling Stone "almost single-handedly... shifted the focus back to East Coast rap". It gained strong reviews on release and has received much praise in retrospect. In addition to "Juicy", the record produced two hit singles; the Platinum-selling "Big Poppa", which reached #1 on the U.S. rap chart, and "One More Chance" featuring Faith Evans, a loosely related remix of an album track and its best selling single.

Junior M.A.F.I.A. and coastal feud

In August 1995, Biggie's protegé group, Junior M.A.F.I.A. ("Junior Masters At Finding Intelligent Attitudes"), consisting of his friends from childhood released their debut album entitled Conspiracy. The group included rappers such as Lil' Kim and Lil' Cease, who went on to have solo careers. The record went Gold and its singles, "Player's Anthem" and "Get Money" both featuring Biggie, went Gold and Platinum. Biggie continued to work with R&B artists, collaborating with Bad Boy groups 112 (on "Only You") and Total (on "Can't You See"), with both reaching the top 20 of the Hot 100.

By the end of the year, Biggie was the top-selling male solo artist and rapper on the U.S. pop and R&B charts.In July 1995, he appeared on the cover of The Source with the caption "The King of New York Takes Over". At the Source Awards, he was named Best New Artist (Solo), Lyricist of the Year, Live Performer of the Year, and his debut Album of the Year.At the Billboard Awards, he was Rap Artist of the Year.

In his year of success, Biggie became involved in a quarrel between the East and West Coast hip-hop scenes with Shakur, his former associate. In an interview with Vibe magazine in April 1995, while serving time in Clinton Correctional Facility, Shakur accused Uptown Records' founder Andre Harrell, Sean "Puffy" Combs, and Biggie of having prior awareness of a robbery that resulted in him being shot repeatedly and losing thousands of dollars worth of jewelry on the night of November 30, 1994. Though Biggie and his entourage were in the same Manhattan-based recording studio at the time of the occurrence, they denied the accusation. It just happened to be a coincidence that he was in the studio. He just, he couldn't really say who really had something to do with it at the time. So he just kinda' leaned the blame on me.

Following release from prison, Shakur signed to L.A.'s Death Row Records on October 15, 1995. Bad Boy Records and Death Row, now business rivals, became involved in an intense quarrel.

Arrests, a death and a birth

Biggie started recording his second record album in September 1995. The album, recorded in New York, Trinidad and Los Angeles, was interrupted during its 18 months of creation by injury, legal wranglings and the highly publicized hip hop dispute in which he was involved.

On March 23, 1996, Biggie was arrested outside a Manhattan nightclub for chasing and threatening to kill two autograph seekers, smashing the windows of their taxicab and then pulling one of the fans out and punching them. He pleaded guilty to second-degree harassment and was sentenced to 100 hours community service. In mid-1996, he was arrested at his home in Teaneck, New Jersey, for drug and weapons possession charges.

In June 1996, Tupac Shakur released "Hit 'Em Up"; a diss song in which he explicitly claimed to have had coitus with Biggie's, at-the-time estranged, wife Faith Evans, and that Biggie copied his style and image. Biggie acknowledged the former, referring to it in regards to his wife's pregnancy on Jay-Z's "Brooklyn's Finest" ("If Fay' had twins, she'd probably have two-Pac's/Get it? .. Tu-pac's") but did not directly respond to the record, stating in a 1997 radio interview it is "not [his] style" to respond.

Shakur was shot multiple times in a drive-by shooting in Las Vegas, Nevada, on September 7, 1996. Shakur would die of complications as a result of gunshot wounds six days later on September 13, 1996. Rumors of Biggie's involvement with Shakur's murder were reported almost immediately, and notably in a two-part article by Chuck Philips in the Los Angeles Times in September 2002. He denied the allegation claiming he was in a New York recording studio at the time. Following his death, an anti-violence hip hop summit was held; Biggie did not attend and received criticism.

On October 29, 1996, Faith Evans gave birth to Biggie's first son, Christopher "CJ" Wallace, Jr. The following month Junior M.A.F.I.A. member Lil' Kim released her debut album, Hard Core, under Biggie's direction while the two were involved in an apparent love affair.

Life After Death

During the recording sessions for his second record, tentatively named Life After Death... 'Til Death Do Us Part, Biggie was involved in a car crash that shattered his left leg and temporarily confined him to a wheelchair. The injury forced him to use a cane for the rest of his life.

In January 1997, Biggie was ordered to pay US$41,000 in damages following an incident involving a friend of a concert promoter who claimed to have been beaten and robbed following a dispute by Biggie and his entourage in May 1995.He faced criminal assault charges for the incident which remain unresolved, but all robbery charges were dropped. Following the events of the previous year, Biggie spoke of a desire to focus on his "peace of mind". "My mom... my son... my daughter... my family are what matters to me now".

Death

March 1997 shooting

Biggie traveled to California in March 1997 to promote his upcoming album and record a music video for its lead single, "Hypnotize". Life After Death was scheduled for release on March 25, 1997. On March 8, 1997, he presented an award to Toni Braxton at the 11th Annual Soul Train Music Awards in Los Angeles and was booed by some of the audience. After the ceremony, Biggie attended an after party hosted by Vibe magazine and Qwest Records at the Peterson Automotive Museum in Los Angeles. Other guests included Faith Evans, Sean "Puffy" Combs and members of the Bloods and Crips gangs.

On March 9, 1997, at around 12:30 a.m., Biggie left with his entourage in two GMC Suburbans to return to his hotel after an announcement was made that the party would finish early. Biggie traveled in the front passenger seat alongside his associates, Damion "D-Rock" Butler, Junior M.A.F.I.A. member Lil' Cease and driver, Gregory "G-Money" Young. Combs traveled in the other vehicle with three bodyguards. The two trucks were trailed by a Chevrolet Blazer carrying Bad Boy's director of security.

By 12:45 a.m. the streets were crowded with people leaving the event. Biggie's truck stopped at a red light 50 yards from the museum. While waiting for the light to change, a white Toyota Land Cruiser made a U-turn and cut in-between Biggie's vehicle and the Chevrolet Blazer behind. Simultaneously, a black Chevrolet Impala pulled up alongside Biggie's truck. The driver of the Impala (an African-American male neatly dressed in a blue suit and bow tie) rolled down his window, drew a 9mm blue-steel pistol and fired numerous rounds into the GMC Suburban; four bullets hit Biggie in the chest. Biggie was rushed to Cedars-Sinai Medical Center by his entourage but was pronounced dead at 1:15 a.m.

Murder case

Biggie's murder remains unsolved and there are a plethora of theories as to the identities and motives of the murderers. In the month of his death, The Los Angeles Times reported that the Southside Compton Crips may have killed Biggie in retaliation for Bad Boy not paying them money owed for security services provided in the West Coast. In the same month, MTV News published that witnesses had told the Associated Press they were afraid to speak to law enforcement.

In 2002, Randall Sullivan released LAbyrinth, a book compiling information regarding the murders of Biggie and Tupac Shakur based on evidence provided by retired LAPD detective, Russell Poole. Sullivan accused Marion "Suge" Knight, co-founder of Death Row Records and an alleged Bloods affiliate, of conspiring with David Mack, an LAPD officer and alleged Death Row security employee, to kill Biggie and make Shakur and his deaths appear the result of a fictitious bi-coastal rap rivalry. Sullivan believed that one of Mack's associates, Amir Muhammed (also known as Harry Billups), was the hitman based on evidence provided by an informant, which has since been discredited, and due to his close resemblance to the facial composite. Filmmaker Nick Broomfield released an investigative documentary, Biggie & Tupac, based mainly around the evidence used in the book.

An article published in Rolling Stone by Sullivan in December 2005, accused the LAPD of not fully investigating links with Death Row Records based on evidence from Poole. Sullivan claimed that Sean Combs "failed to fully cooperate with the investigation" and according to Poole, encouraged Bad Boy staff to do the same. The accuracy of the article was later refuted in a letter by the Assistant Managing Editor of the LA Times accusing Sullivan of using "shoddy tactics". Sullivan, in response, quoted the lead attorney of the Wallace estate calling the newspaper "a co-conspirator in the cover-up".

Posthumous career

Fifteen days after his death, Biggie's double-disc second album was released as planned with the shortened title of Life After Death and hit #1 on the Billboard 200 charts, after making a premature appearance at #176 due to street-date violations. The record album featured a much wider range of guests and producers than its predecessor. It gained strong reviews and in 2000 was certified Diamond; the highest RIAA certification awarded to a solo hip hop album.

Its lead single, "Hypnotize", was the last music video recording in which Biggie would partake. His biggest chart success was with its follow-up "Mo Money Mo Problems", featuring Sean "Puffy" Combs (under the rap alias "Puff Daddy") and Ma$e. The video, directed by Hype Williams, is noted for having started the "Shiny Suit" era in hip hop music. Both singles reached #1 in the Hot 100, making Biggie the first artist to achieve this feat posthumously. The third single, "Sky's The Limit", featuring 112, was noted for its use of children in the music video, directed by Spike Jonze, who were used to portray Biggie and his contemporaries, including Combs, Lil' Kim, and Busta Rhymes. Biggie was named Artist of the Year and "Hypnotize" Single of the Year by Spin magazine in December 1997.

In mid-1997, Combs released his debut album, No Way Out, which featured Biggie on five songs, notably on the third single "Victory". The most prominent single from the record album was "I'll Be Missing You", featuring Puff Daddy, Faith Evans and 112, which was dedicated to Biggie's memory. At the 1998 Grammy Awards, Life After Death and its first two singles received nominations in the rap category. The album award was won by Combs' No Way Out and "I'll Be Missing You" gained the award in the category of "Mo Money Mo Problems".

In December 1999, Bad Boy Records released Born Again. The record consisted of previously unreleased material mixed with guest appearances including many artists Biggie had never collaborated with in his lifetime. It gained some positive reviews but received criticism for its unlikely pairings, The Source describing it as "compiling some of the most awkward collaborations of his career".In 2005, Duets: The Final Chapter continued the pattern and was criticized for the lack of significant Biggie vocals on some of its songs.Its lead single "Nasty Girl" became Biggie's first UK #1. Combs and Voletta Wallace have stated the album will be the last release primarily featuring new material.